- KMEL had obtained even more talent from the DJ community, now bringing on Michael Erickson, Theo Mizuhara and Billy Vidal. He wanted to go more Hip-Hop for KKBT. In January 1982, KMEL obtained a new rival when KCBS-FM transformed itself from an adult contemporary-format station into rock-formatted KRQR. On the evening of September 7, 1996, Tupac Shakur was gunned down on the Las Vegas strip. Farmer went on to play college basketball at the University of Nebraska, where he became a star player. Owned by iHeartMedia, KRRL serves as the flagship for Big Boy's Neighborhood. Because the station broadcasts live via streaming audio from their website, it gives the genre a platform for possible worldwide exposure. On August 9, 2001, KCMG changed its call letters to KHHT, re-branded as "Hot 92.3", and shifted to more of an urban AC format. Digital and Radio Facts CEO Kevin Ross states he saw Theo at a restaurant in Studio City, CA. [44] KUSC was also presented with a $35,000 check and the rights to the KFAC calls,[45] those would later be placed on a KUSC repeater in Santa Barbara. "And I can't help but to keep thinking about him. Some say the station's success foreshadows an extensive market realignment", http://www.americanradiohistory.com/Archive-RandR/2000s/2000/RR-2000-06-30.pdf, http://www.americanradiohistory.com/Archive-RandR/2000s/2001/RR-2001-08-17.pdf, "Real 92.3 Los Angeles Launches With Full Aim On Power 106", "iHeart DJ Big Boy Settles Feud with Old Neighborhood", "Emmis And Big Boy Come To Legal Settlement", "IHeartMedia to Launch BIN: Black Information Network on Radio, Digital Channels", "NAB Announces Crystal Radio Awards Winners". You can hear it below. Then she took what we said back to the management members like the late Craig Wilbraham. with DJ Theo! List of programming syndicated by iHeartMedia, List of radio stations owned by iHeartMedia, https://en.wikipedia.org/w/index.php?title=KMEL&oldid=1144772489, Radio stations in the San Francisco Bay Area, Urban contemporary radio stations in the United States, Articles with unsourced statements from November 2013, Articles needing additional references from December 2020, All articles needing additional references, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 15 March 2023, at 13:51. Where is Theo Mizuhara from KKBT and KMEL? Nationally, it was THE station and a place where black announcers wanted to work badly. Naftaly continued underneath Rivers. [12] Bazoo left KMEL for Los Angeles in June 1985, and Steve Rivers was hired from Tampa to take his place as program director. smart move, good for him radio is dead. In April 2011, KHHT fired morning host Victor Zaragoza (now at KBLX San Francisco). [26] Both stations still simulcast core programming like Evening Concert, Luncheon at the Lincoln Center, and Continental Classics. The late Michael Mixxin Moore was brought in at the end of his career and he was considered a legend in the market. He was under a lot of pressure as women were crazy about him, and men wanted to be around him for that reason. The energy at the station had changed. 2023 - 2023 view. Post or read reviews for Theodore Mizuhara [10], In March 1985, KMEL hired John London and Ron Engelman to host a morning zoo program. Somewhere online said he's in the tech industry now. Oct 4, 2021. Does anyone know where DJ Theo (Theo Mizuhara) has went. Later on in the call, you feel Quik's thought process break down. Over the past several years, Ross states he has repeatedly been asked where former KKBT and KMEL DJ Theo Mizuhara is. [6] In May 1982, AOR competitor KSFX dropped rock and went to a talk format as KGO-FM. Edit: Ive done more research and he may have owned a production company that has been defunct since 2012. The music, the branding, the imaging and the promotions were all top-notch. He switched to the Los Angeles outlet in 1993. Thats the beautiful thing about music, Theo, a somewhat shy man in his late 20s, says softly, with shadows hiding his face as he sits in a darkened office at the stations headquarters in Hollywood. Urban contemporary radio station in Los Angeles, "O.R. [53] Meanwhile, Evergreen tried to capitalize on the attention the week of KFAC's switch by running television ads locally on L.A. Law, the 1989 MTV Movie Awards, and The Arsenio Hall Show teasing the "new" format. [1] First owned by Errett Lobban Cord, a luxury vehicle manufacturer who purchased KFAC in 1931 from the Bible Institute of Los Angeles,[2][3] KFAC became one of the first commercially operated radio stations in the United States to adopt a full-time fine arts/classical music format, having gradually added long-form programming devoted to the genre between 1938 and 1945. Bennett anchored the morning position which was followed by well-liked veteran Tony Kilbert covering mid-day, music director Paul Vincent covering the afternoon, then Mary Holloway and Michael St. John in the evening. When the switch was made at 5 p.m. on June 30, 2000, the formats and call letters did come along for the ride, with 92.3 becoming KCMG, "Mega 92.3", and 100.3 becoming KKBT, "100.3 The Beat". It is owned and operated by iHeartMedia. The support benefited them AND the station. The hour began with Jim de Castro ceremoniously "passing a baton" to KUSC general manager Wallace Smith, then after a partially improvised farewell message from Rich Capparela,[57] the hour concluded with KFAC-FM's final classical selection: Haydn's "Farewell" Symphony. Unbeknownst to them, the station passed out memos as well as reminders telling the staff to make sure their desks and offices were locked because the rappers would be coming there during the weekends. Who is DJ Quicksilva? (as Theo) 1995 Dangerous Minds 6.2 TV Series Don Yamamoto (as Theo) 1997 1 ep Gas 4.5 Self 2004 Moesha 5.8 TV Series Self (as Theo) If he just wanted to get away from the spotlight, thats fine too but its just a fascinating concept to see a well known person go off the grid. KMEL reports as rhythmic contemporary per Mediabase, even though they're not a rhythmic contemporary station (another urban station on the rhythmic panel of Mediabase and urban panel of Nielsen BDS was WJHM in Orlando, Florida until morphing to rhythmic and was moved over to BDS' Rhythmic panel in February 2012. Take Me to the Mardi Gras by Bob James (1975) Rockin' to the P.M. by Raw Fusion (1991) is a remix of. The station had a slogan, No Color Lines, which the black male jocks made a joke about by saying starting with black men. I dont know who came up with that cheesy slogan, but it made no sense since it was not and had never been an industry standard in radio. The station's branding as "106 KMEL" remained in place for many years.[17]. [42], An outdoor event was staged outside of KFAC's studios (at the former Villa Capri restaurant on Hollywood's Yucca Street[54][55]) at noon on September 20, 1989, to commemorate the end of the classical format; this was simulcast on KUSC, whichalong with KFSD in San Diego[56]had placed advertising promoting themselves on KFAC. KRRL (92.3 FM) branded Real 92.3 is a commercial urban contemporary radio station licensed to Los Angeles, California, serving much of the Greater Los Angeles area. KMEL (106.1 FM) is an urban contemporary radio station that is licensed to San Francisco, California, and serving the San Francisco Bay Area. We called again the next week and the next and the next, all to no avail. Keith Naftaly left the station and radio sometime after that and he was replaced as the PD. [29][30], An ownership transfer in 1986 attracted controversy after most of the tenured airstaff was dismissed on December 31, 1986. Psychedelic poster artist Victor Moscoso created the station's mascot: a camel wearing headphones. Submit it to us and it will be shown here after review. He was very popular, and he told me he was the youngest of like 19 kids. Because MyLife only collects this data and does not create it, we cannot fully guarantee its accuracy. We told her what happened in a meeting and she agreed to meet with the station. In September 1973, the KFRC-FM call letters were reinstated, and the station began a "nostalgia rock" format, playing oldies and soft rock as "K106". people learn more about others, just like Yelp does for Evergreen patterned the diversity of the station after its then-sister station KKBT in Los Angeles by maintaining a multi-racial staff to ensure KMEL had "No Color Lines" under the new phase of the format. Paul was in demand as a remixer. In addition to its typical daytime mixture of hip hop and R&B, KMEL plays R&B and soul slow jams from roughly 10:00 pm to 1:00 am Monday through Thursday. Her last article for the magazine was a profile of writer Walter Mosley. Per Nielsen BDS reports, they are urban contemporary, KBFB in Dallas/Fort Worth are rhythmic contemporary stations per Mediabase reports, but they report on the BDS urban panel despite being the only rhythmics in those areas where there are existing urban contemporary stations (WKYS/WERQ and KKDA-FM). anything else new on this LA radio legend? At that time, the station dropped the "and R&B" from its slogan (to distance itself from playing current R&B or adult R&B product), effectively making KHHT a full-blown Gold-based rhythmic AC, with emphasis on rhythmic, disco, freestyle, and R&B hits from the 1970s, 80s, 90s, and 2000s. Given the voice and the stations hip-hop/R&B; format, most listeners probably assume that he is African American. Add a bio, trivia, and more. That's his goal. I am still friends with John Monds to this day. That same year, KMEL signed popular New York radio personality and San Francisco native Alex Bennett. George Michael is like that, too. Filmography (by Job) Trailers and Videos. [46][47], KFAC's demise attracted local and national attention, in part due to the longevity of the format and its presence in the nation's second largest radio market. However, in order to get under the government-mandated market ownership limits, some stations were required to be spun off; in Los Angeles, one of the full-powered FMs had to go. KKBT was still a much better station than many of the Black-owned stations that I had worked at but all those black owners warned me about stations like KKBT before I got there and they were right. Follow me on Instagram @therealtheola #theomizuhara #moesha. Theo Mizuhara 106 KMEL Powermix 1992 #02 all mixes on this channel are also on mixcloud in its entirety because of copyright not all songs are available in s. I lost all respect for the NAACP from that moment through today. Check Full Reputation Profile Manny F. San Francisco, CA; 1481 friends . This move prompted KHHT to further adjust its musical direction by adding more Disco and Freestyle tracks to its current format as a way to attract the displaced KMVN listeners, and by June 2009, it showed an increase in the PPM ratings after it began to further tweak its selection more to slightly favor currents and less favor old school tracks. Evergreen Media ended the ratings war with KYLD by purchasing it later that year. His was the voice on the radio throughout the film Waiting to Exhale.. Naftaly created a new slogan for KMEL, "The People's Station", reflecting its community outreach programs and prime-time public affairs shows. [43] Finally, Evergreen announced the donation of KFAC and KFAC-FM's music library, with roots dating back to the early 1940s and appraised at $1.8 million,[44] to KUSC; Stanford University and the Los Angeles Public Library acquired KFAC's compact disc library, the majority of titles KUSC already held.

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